vyuuh1 · Set up the show
Create a show, bind the desk to it, and start the preview. Scenes are ready before anything goes out: solo, picture in picture, side by side, presenter and grid.
Vyuuh Studio
A production desk
in the browser.
Scenes, sources, overlays, callers and recording. No install and no capture card. In the supported setup it runs on the one machine you are already using.
Private beta; access by arrangement.
Phones in the field are cameras on your switcher.
A phone already streaming from wherever it is becomes a source on the desk. There is no pairing step and no local network to be on: a witness on cellular in another city can be your second camera.
Scenes arrange those sources into the shot you want, and each position in a scene is assigned deliberately, so a split screen shows two different things instead of the same feed twice.
On the desk
Organised the way a show runs.
2 · Bring in sources
A phone already streaming from wherever it is becomes a source. No pairing, no local network — a crew member in the field is a camera on your switcher. Each slot in a scene takes a named source, so a split screen shows two different things.
3 · Take callers
A caller opens a link, with no app and no account, and reaches a screening lobby. A producer hears them first. They reach the broadcast only when you take them there, and only after they have agreed to go on air.
4 · Put things on air
Lower thirds, banners and a scrolling ticker, drawn across the whole programme rather than attached to whichever camera is main. Putting poll results, audience questions and shout-outs on air from the same panel that reads them is in progress — the panel currently reads a different key from the one the app writes, so it stays empty.
5 · Record
The show is recorded as it goes out, bound to the broadcast it came from, on the supported and rehearsed workflow. That binding is proven; a finished replay experience is a separate thing and is not. Clips cut from a recording are coming.
Where your sources are
The Director's Map shows the geography of your cameras while you cut between them. A field camera is a place as well as a picture.
A note for anyone who has mixed live audio: host and callers reach one program bus with a limiter across the whole mix, not a limiter per source. Three callers can add up past full scale, and a per-source limiter cannot see that. Music beds are in progress — the bus and the ducking exist, and nothing loads a track into them yet.
Audience capture adds coverage of your own event. It replaces no production crew, promises no completeness, and guarantees no commercial result.
Let’s start with one event
A different perspective.
A practical first step.
Tell us about your venue or show. We will explore what a supported pilot could look like.